I will mix up to 100 stems

Utilizing a variety of different processing tools, automation and clever production techniques, I will try to help you rediscover your own track. Mixes are like landscapes to me - with mountains, rivers and valleys - near and far. I strive to make the horizon stretch to the sides where my monitors physically can't go. A song reaches its full potential when essential components are audible - combined with a sonic environment that can keep you entertained for hundreds of listens. My favourite moment is when a song dances on top of my reference speakers.

About my studio:

I’m working in Logic Pro X on a powerfully upgraded mac mini 2018. Everything is sent through the apollo x4 and outputted on a pair of Neumann KH 120s. The monitors are sitting on stands that are decoupled and filled with sand. The wooden desk is originally an old picnic table from Byron Bay, Australia - made using recycled native hardwood. It hosts a PRO VLA II compressor — imported second hand from Slovenia.

The space is treated with thick acoustic panels surrounding my setup for a flat frequency response. I have tested using REW.