Aviran A

3D Artist & Graphic desginer

Aviran3D • Freiberufler

Jun 2025 - Present • 11 mos

3D Sculpting for Print: Creating high-detail organic and hard-surface models specifically optimized for 3D printing (SLA/FDP). I handle the "boring" stuff like wall thickness and supports so you just get a clean print. Game & VR Assets: Designing low-poly and high-poly models for immersive environments. I focus heavily on optimization to ensure assets look great without killing the frame rate in VR. I used Autodesk Maya to create high-precision models for industrial use Graphic & UI Design: Translating brand identities into visual assets and interactive app mockups. I head up masterclasses for high school students, teaching them the fundamentals of UX/UI and mobile app design.

Team Leader, 3D Artist & Instructor

Digital Combat Academy LTD • Vollzeit

Dec 2023 - May 2025 • 1 yr 5 mos

At DCA, I lead a multidisciplinary team focused on developing 3D simulations that enhance both military and civilian training. As team leader, I oversee map creation, manage task distribution, and ensure that all deliverables are completed on time and to a high standard. My role includes designing and building detailed 3D assets and environments for our in-house simulation platform, with a strong emphasis on realism and tactical accuracy. I model real-world Israeli terrains using QGIS-based references and integrate them into interactive, scenario-based simulations. In addition, I instruct and support military and civilian training units through immersive, mission-driven simulation experiences.

3D Artist

ESCENA - Escuela de Animación • Vollzeit

Jul 2022 - Aug 2023 • 1 yr 1 mo

3D Artist, Simulation Department - Fulgores Project: During my time as part of the simulation team for the "Fulgores" project, I played a crucial role in making the characters look more lifelike by creating realistic cloth movements. Using my skills in cloth dynamics and simulation techniques, I made sure the clothes behaved realistically, adding depth to the characters and story. I used popular software like Maya and Marvelous Designer to create detailed cloth simulations that responded naturally to character actions and the environment. By testing and refining these simulations, I made sure they fit seamlessly into the overall look and feel of the project, making it more engaging for viewers. I worked closely with animators, riggers, and texture artists to make sure everything looked consistent and polished. Sometimes, I even helped fix animations to ensure smooth character movements. My dedication to getting things just right helped us meet deadlines and impress our clients.